nice price deal !!! digital indio typical techy saw-tooth sounds majke this ep a club monster and safe peaktime performer

nice price deal !!! after the great first sistema on neuelarmklasiker comes here the follow up with a strong little tribaling pig & dan techhouse to minimal techno remix

after releasing around fifty 45 rpm singles and his first 33 rpm album (ethiopian modern instrumental hits aelp 10, re-released by heavenly sweetness hl092vl), amha esthete set about compiling his best 45s on a series of now legendary albums in 1972.

u is a producer and dj currently living in london. previous records for man make music have proven suitable for the club as well as home listening, while a collaboration with babe, terror as btu for erol alkan’s phantasy label was varyingly described as “pleasure with a sense of dread” (the line of best fit) and “akin to having five songs playing simultaneously on your computer” (the guardian). 2014 saw u’s debut ‘haven in a heartfelt world’ ep described as -giddy electronic fuzz that packs the subtlest of punches descends into dense glitch noise then returns triumphant gritty and melodic” (crack magazine) and “distorted dreamstates” (ransom note). after the deranged chamber­edits of vienna for where to now?, u returns to the well­trodden path between flattery and irreverence in dance music with a special edition 2-­track 12- for phantasy sound. friendly ghost enters with a splay of combat­bongos, a thin synthetic aura draws over the fluctuating rhythms before a strangely negative bassline sets the pace in nu­wave perpetual motion, inevitably spiraling back on itself into a clattering reversal. on the flip ascension hymn rushes headlong into a mechanical shunter, abruptly dragged back by a frail and singular voice reciting an uncertain mantra of self­fulfilment over this blunted hardcore epic spanning 13 minutes. pressed to heavyweight vinyl, designed and printed by the artist in an edition of 300ish.

south brooklyn s p. leone returns for his second release on spencer parker s work them records with four atmospheric techno cuts this november. earning his stripes in new york and tokyo, p. leone is an established dj however since turning his hand to producing his talents in the studio are indisputable. echoing kicks and piercing stabs form the effervescent 9v9 before a chugging low end works alongside tantalising effects in cold metallic . next up, stability control generates a dusky aesthetic with moody bass throbs and saw like synths until the high-octane apex corners concludes the package with a relentless energy.

deleted - pressed on frosted clear with black blob and frosted clear with red blob vinyl, housed in a thick 425g heavyweight sleeve, and a printed insert is included which features additional artwork and credits.
volume 2 continues to wander through the 80 s world of stranger things, floating between the sweeter moments which temporarily blossom amidst the danger and decay as the series comes to an end.

2015 saw datassette in generous form, the original offal brought 100 tracks of alleged offcuts. while a rare few actually live up to this self-deprecation, it couldnt be a more misleading title. now, selected offal has been boiled down to a gravy-like substance for a vinyl release by the nice folks at shipwrec. after discussions with the artist, and suggestions from fans, seventeen prime cuts have been selected for the vinyl edition of offal, alongside a few brand new previously unheard nuggets and alternative versions. expect a buffet of delights. smooth electronica, abrasive funk, out-there acid experimentation, chip tune chicanery and everything in between from this chameleon of machine music.

ultimate crew presents 4 tracks of decimating future rave: peak moments of crystallized energy reduced to the most simple and effective dance-floor weapons known to man. entire nights distilled into mere minutes- providing you, the dj, with the deepest cuts for the deadliest win. side a: elastic / tak: acid dripping off the cuff. hip-house illumination via a saw wave cutting through the skull. watch your mind! side b: future / method: only time will tell. remember the future and wait for the break: it will break you.

having thus far released eps for aficionado and music for dreams, a vision of panorama return to their regular haunt mellophonia to expand on the promise of their shorter works to go deep into a balearic dream on aquafusion. it s a perfect meditation on serene funk from start to finish, spanning eight tracks of tender musicianship that sit very easy on the ears. the likes of surf blue almost do away with drums entirely in a quest for calm, while barbados and others offer up a more sprightly vision of 80s-flavoured groove, but throughout the mysterious hands behind the record maintain a smooth and steady mood that binds the album together.

going back to classics could fall so easily, luckily for skudge presents, the persistent and class-act of mark broom leaves the mediocre in its rubble. eric cloutier: broom is a legend. i can t even count how many of his records i own. both of these are pure fire loving it! the kicking a-side, moments1, with the high paced energy and flirtations with the dutch classic style of techno-house crossover brings a smile upon djs and dancers alike - without going too much into nostalgia, this track is sure to find its way through the peak times. moments2 on the flip submerges deeper into this records vibe, with a progression that throbs more than kicks, with a saw tooth lead that keeps the moody atmosphere intact. a sure-shot 2 tracker is what we need and what we get

in the month june of 2011, karton saw its gaily arise and nestled itself in the prism of deep electronic music people nowadays know as deep house, tech house and other minimalistic still unknown sub-genres. determined to do it right instead of wrong, the label has pursued their hunch in the on going quest of being a cool, fresh new imprint. this quest has made a path for karton, which has made them hatch music for certain styles of nightlife.

reissue of this 20y old timeless classic with a new basic soul unit rmx on the b-side!almost two years ago we reissued dj boom kinda kickin with an extra efdemin remix on curle-p06. because y all loved it so much, we decided to reissue two more matthew herbert deep house goodies. after the very well received linkwood remix of see you on monday it now time for one of herbert s biggest records deeper, from the iconic part two ep, 20 years old but still timeless! on remix duties is basic soul unit, who saw his album released on dekmantel end of last year. we knew he was good, but his remix exceeded each and any of our expectations.

the grooves of thomas white and pete williams aka natural rhythm, have been a mainstay in the sets of robsoul boss phil weeks for more than a decade. today he pays ‘tribute’ with a special re-release of some of his favourites. born in a garage in the late 90’s, natural rhythm was a meeting of passionate musical minds. working together the pair sought to create their own style and sound, influenced by the tracks they were regularly spinning in their own dj sets across the country. creative sampling and their own raw beats, together with live instrumentation and regular guest vocalists, saw natural rhythm create a strong catalogue that, as we know, are still getting played today. with three albums and over 35 ep/single releases to their name, there more than enough music for label boss weeks to select from for the tribute ep. a tough job? of course. however, phil went straight for the four that never leave his box. leading the ep are the sun-drenched vocal vibes of ‘something big’, the title track of natural rhythm’s 1999 release on under the counter. our a2 is the lead track from 2001’s last call at the martini ranch ep, ‘chicago nights’, with its quaking bassline and disco dalliance. on the flip we’re treated to a choice selection from natural rhythm’s 1999 double album contrast in nature. first up with its celestial chimes and thumping kick is ‘smoldering island’, taken from the original part 1. closing the tribute release and taken from part 2 is the devilishly funky and suitably titled feelgood jam ‘energized’. we definitely are!

long-time london based friends and regular collaborators ethyl & flori have been foraying between the blurred lines of house and techno with releases on labels like secretsundaze, aim and fear of flying for the last 6 years - and with a glowing reputation under their belt, 2015 saw the duo launch their own imprint e&f records. this time however, their most recent venture is a release with london label mutual friend recordings and combines the duos talent with enigmatic label owners and friends of ours london party curators our mutual friend, their solo ep on brooklyns voodoo down records earlier this year was tipped by such luminaries as levon vincent and dj october.

after completing his debut 12- for 100% silk (which saw a release in feb 2016) hubert clarke jr spent most of 2015 focused on pushing the music of others, through sydney s newest record store, outer time inner space. owning and being surrounded by a literal shop full of records provided motivation and inspiration but left little time for writing.

beginning from the abstractions of their self-titled debut release in 2004, the group embarked on a trajectory that saw them move toward near-song structures, tricoli’s voice becoming a dominant element amid an increasingly dense and layered production style. on speak to me, however, the listener feels confronted by the ghost of music, sonic memories echoing across a psychedelic expanse. evacuated of any clear structure, the music becomes a reverb-saturated morass, from which crystalline details momentarily emerge: shimmering echoed guitar, bowed double bass, tactile hand percussion, skittering electronics. suffused with a darkly pensive atmosphere, speak to me is an elegant summation of the distinctive blend of electroacoustic techniques, instrumental improvisation and contemporary psychedelia pioneered by 3/4hadbeeneliminated over the last decade

fuckthegovernment.ltd, a.k.a. f.t.g (alfredo trastulli) and music box head honcho, marco riff, return to the skylax fold in 2016 with a cache of house nuggets for our listening pleasure. their last venture on skylax saw f.t.g collaborate with a bunch of his friends, resulting in some of the best tracks we’d heard all year, including the unforgettable fuckthegovernment theme. their tracks have been celebrated and hailed by some of the best djs in the game, names such as derrick may, ricardo villalobos, raresh, and dj harvey. the bar set by the first record remains sky high, and somehow, these two manage to raise the bar even higher. it may be the biggest cliche going when talking about an album, but the duo certainly do take us on a journey, through the past and present of house music. it’s a record not too dissimilar in tone to paranoid london’s from a few years back, but f.t.g and marco strip things back even further than those guys did, in our opinion, the sound is more raw with less frills, and no track names to predispose feelings in the listener either. this eight track project is cohesive and elaborate, with movements through sounds both acid and jazzy, minimal and maximal. it explores sounds that came to prominence in famous house locales such as detroit and chicago over in the u.s., but the underground european influence is definitely present, from paris to berlin, and of course f.t.g and marco’s home of italy. with this album, these guys add to the underground sound that has cultivated in the city of perugia for years now, a place that has seen the likes of simoncino and nicholas hone their craft.don’t miss out on a piece of skylax history

rome native marco piovesan is a dj’s producer. his driving style, pristine sound quality and nuanced tones makes his techno of the variety that draws bodies to the dance floor, and keeps them there. 2013 was his breakout year which saw releases land on gynoid audio, m_rec ltd.. that same year piovesan launched his own enterprise, h.omevvork recordings, as a haven for richly emotive techno music imbued in ‘90s spirit. to date it’s three ep’s have been remixed by luminaries such as giorgio gigli, daub and m_rec ltd’s sadly departed chief max_m. piovesan joined the key roster soon after as part of a split ep with another (then) up-and-comer, hector oaks. his two works, “black paranoid 7” and “black paranoid 10”, were clean, steely dj fodder underscored with a dark energy that made both of them potent club weapons. now piovesan returns with four cuts of surging, remorseless marching material design to tear up strobe-lit basements and big room halls alike. for djs who take no prisoners, who enjoy calling on the old techno ghosts too.

a few years ago i saw a documentary about the audio trickery employed in ww2. i was totally flabbergasted and soon absorbed anything i could find on the subject. artists and scientists alike cooked up incredible situations to fool the german army. inflatable tanks and trucks stacked with speakers projecting recordings of an imaginary reality were used to deceive and deviate the opponent. this odd scenario influenced me profoundly and drove me towards composing music that related these feelings. the project only collected dust inside my head until radio bongo heard of it and encouraged me to finish. sveinbjörn bjarki jónsson aka sonic deception

bring the balance! gorge & markus homm join forces for their first 8bit collaboration and with each of them contributing own productions plus a joined feature, this ep has deep pressed right on. come into my life by homm hooks with rollin’ drums and a dirty saw bass to go along. don t give up is straight up gorge - combining evolving synths, fading delays and filtered vox into a deep club groove. balance brings together the best in both styles and delivers pure dance floor quality. a great premiere for this duo & rumor has it there’s more to come..

played by neuman (maddisco edits), maciek sienkiewicz
after his last year debut on fasrat das komplex is on fire - after eps for young adults and pets recordings here he is again with a brand new 12- showing his versatility and ability to seamlessly blend multiple genres. all tracks on -pudding- show clearly his dub and reggae influences applied to a light as a feather deep house rhythm frame, subtly infused with cosmic stylings and some synthpop nostalgia. at the same time, solid grooves carry das komplex trademark melodic hooks - resulting in proper heads music that would work perfectly on any dancefloor - and any radio alike. -pudding- sounds like a perfect teaser for polish producer s debut artist album - due later this year on fasrat.

original motion picture soundtrack for the 2016 movie “ghostbusters”.

shifted returns to avian. six steps to resurgence marks guy brewer’s first outing on the imprint since 2014’s arrangements in monochrome series. the two ep’s saw the avian label head make his definitive statement on the label aesthetic, pairing industrial & noise influences with more streamlined nods to contemporary dance floor techno.

nice price deal !!! after several releases on saw, moon harbour, audio therapy and lots of other globals, presslaboys deliver their first ep on our cologne based imprint yellow tail. both tracks runners monkey and snobshit start to roll instantly from the first second on

nice price deal !!! -we think he will be blowing up in the next few months- is what robbie rivera quoted about darryl green. the beginning of 2010 saw darryl start to get into the studio, the first track he produced was veranoa which was signed up by the hoxton whores

reissue of the original ethiopian vinyl compilation

the third release from new imprint dama dama, is another offering from label co-founder pedestrian, following the label’s well-received debut ep - ‘circadian rhythms’ . ‘pick your shots clean’ is a track inspired by this spring’s european dama dama label launch tour, which saw founding members pedestrian & maribou state take to the road, curating bespoke parties with back to back all night dj sets. as ever, the music itself is hard to categorise, but we would say that it sits somewhere between a rugged 90’s chemical brothers track and a 70’s arabian psych-rock record. the flipside - ‘airs & graces’ - serves as a counter-balance (a kind of yang to the ying of the a-side), that picks up where circadian rhythms left off, taking the listener off on a melodic 5-minute trip. currently gearing up to release a new signing in the dama dama camp, the team also have their sights set on the curation of festival stages, more intriguing night endeavors and a new mixtape series, all set for delivery over the coming months. pedestrian now with his sights firmly set on writing his debut lp, will be found at a number of festivals over the summer.

the second of this year’s smd singles on their own delicacies label is features another two original tracks, leading with the hypnotic, late night techno loping of “remember in reverse”, drenched in glistening synths. the second track, “soft attack” takes a much more direct approach, with a brash battering of crash cymbals on every 4th bar marking time as a sinuous synth melody curls around the rhythmatic trunk. “soft attack (drum version)” pares it down even further, excising the melody for a minimal dj tool. also included here is a remix of ‘remember in reverse” from 90s mid west techno legend, dj hyperactive, who we’re super excited to have on this release. he extensive 11 minute rework transforms the track, sprinkling it with subtle doses of acid. after a short hiatus following their modular-only, desert recorded last album “whorl”, during which smd s james ford found himself on production duties for everyone and their dog, smd are back with bunch of techno cuts on their own delicacies label. over a couple of months in jas shaw s newly re-located synth-dense studio in leafy kent, which saw smd once again experiment with live jams as the basis for their production, they’ve pulled together a selection of eight tracks for release as a series of four singles over the coming months. smd fans will note that the earlier naming convention of delicacies has fallen by the wayside – for the simple reason that we’ve pretty much run out of weird and wonderful food stuffs to steal names from. instead, a semi-random automated process has been used to create the track names.

patrick topping returns to hot creations with his taking libz ep and demonstrates why his reputation carries such weight with three special tracks that act as a master-class in how to create music that will consume dance floors. first up is brayed which takes the listener on a loopy and enriching journey, whilst howk is a classic foot-to-the-floor number. concluding the ep is taking libz, the title track that sees topping firmly hold onto his crown with this unstoppable cut. i-d magazine described patricks style that is characterized by punchy,chugging baselines that have become weapons in the sets of many a dj. started his career djing at the club night motion in newcastle, he was quickly snapped up by jamie jones, for hot creations. releases on the label and a residency at paradise dc10 in ibiza soon followed and 2014 saw him release get beasty, forget and voicemail featuring green velvet and concluded with a hattrick of awards including winning the dj mag best newcomer, track of the season and best tune awards in their best of british awards.

these hidden hands release “vicarious memories”, their second lp and follow up to their 2013 debut album which saw the successful collaboration of alain paul and tommy four seven and the launch of their creative platform, hidden hundred. after the experimental duo re-surfaced earlier this year with ’these moments dismantled’, a single featuring lucrecia dalt, these hidden hands is now set to release the album’s single, ‘sz31x71’ which marks an exciting new chapter in the groups musical direction and will include a remix by revered tri angle artist, roly porter. sz31x71 will be released via hidden hundred, available as limited edition 180g red vinyl with hand screen printed cover.

that night, we answered a regular call, something about crazy loud noises coming out from a basement. while driving to the area all i could think when i first heard the bass stomping was: “man, whatever, this doesn t even sound like music to me.” and we were at least a 100 meter away from the source of the sound. when we got there, after knocking several times on the door, we decided we had more than enough probable causes to bust in. after a warning, we kicked the door open. what we saw inside was a five feet tall woman jumping around in that cacophony. we screamed and she ignored us, my colleague then panicked and shot her with his taser several times – she then simply pulled the probes out of her body shouting moments moments – and continued to jump around..

the story begins at the heideglühen club in berlin where the true romance crew saw ojpb play. in the midst of his set he dropped a mysterious track that completely lit the crowd up, it was e-lane 2 troy. in this offering, true romance introduces montreal based ojpb (also known as bowly, dÐd, mtsp). through this alias, french-born olivier borzeix delivers raw and adventurous rhythms sourcing his inspirations in rare funk disco nuggets and the golden age of house music, blending it into what he likes to call : hypnotic soul. e-lane 2 troy is an uplifting cosmic mind bender. with its brilliant disco loops and infectious trance inducing melody, this is one that will fill and fire up dancefloors all over.

andre lodemann is a highly regarded producer from berlin whose debut release dropped in 2004 on mike grant s legendary moods & grooves label. last year saw andre lodemann release his innervisions debut leaving the comfort zone ep. he has remixed for labels such as innervisions, buzzin fly, poker flat and rebirth. squares is a brand new side-project from fish go deep, focusing on completely hardware-based productions and slightly more experimental, left field deep house. tony lionni continues to impress following his osgut ton smash found a place (which continues to drive dance floors into a frenzy worldwide) with releases on versatile, mule, wave and madhouse.

remastered reissue of pink floyds second album (originally released in 1968) on heavyweight 180 gram vinyl.

last autumn the long-awaited debut “colour” by pete josef saw its release on sonar kollektiv. now the first 12 inch with four fantastic remixes arrives.

drawing on a rich well of influences from sufi and shamanic african trance music, irish and eastern european folk music, to steve reich and philip glass and more contemporary electronica influences, their music is built around deceptively simple sounding ideas that are lent power through the use of repetition and rhythmic loops. they have been compared to both portico quartet and gogo penguin for the way in which they navigate the choppy waters between contemporary dance music and jazz.

for the second bad barbie records vinyl release of 2016 we are more than exited to bring you the magnificent work from the bla bla music owner daniel sanchez with his impromptu ep. here we have four amazing pieces where each one tells a different history. the first one pearled into droplets saw the light after a great live jam and the result is combination of several layers of base elements with subtle minimalistic articulations. these, in combination of the bass and synths lines do create a truly amazing micro house piece. the second one vague, is an atmospheric dub were a single synth chord raises in slowly, followed by a very subtle kick and bass line to set a bit of rhythm to the whole thing, creating a superb dreamy vibe while the chords do their thing with delicate reverbs and delays in the backend. a great musical piece indeed. for the third track we have yi, again another amazing micro house jewel born from a live jam, but this one is even more energetic than the first one and it also includes, besides a rocking bass line, analog synth chords that lifts up the mood during specific moments, which also do their part articulating themselves perfectly with some occasional twisted vocals that helps create an amazing party vibe from beginning to end. and if this wasn t enough we also have bedroom stories vocal tool that daniel included with his delivery, which can help spice up a dj set with ease.

shaw cuts is happy to present its third release, which includes 4 tracks produced by farron under the title ‘death duel’. the story of this chapter is simple: the third master is respected as the unrivalled and undefeated swordmaster of the day. his strength and skill saw many opponents who sought to slay him and win his title. all failed. there was only one rival who might sever his crown. it is only a matter of time until the ultimate duel… ‘we don’t make no sense’ rings in combat with a dirty break-beat drum pattern combined with deep, melancholic pads, circling the scene before one of the masters makes the first attack. warmer in tone, ‘tangency’ is the first intermission, a lull in bloodshed and impending annihilation. short-lived… the b-side brings back battle mode with ‘centro’, a rough and rolling thunder with churning synth action and distorted drums. the duel ends with ’par 2’, its sharp percussions, goliath bass drum and spheric pads reverberate victory. an open breast and sword glazed red. fatal hemorrhage…

i still do - the new eric clapton album, produced by glyn johns.
double gatefold lp, 180 gram vinyl pressing, cut at 45 rpm.

last year saw the mysterious garage shelter make their debut appearance on skylax, and little is still known about them! all we know is they are back with some freshness on the skylax classic sublabel. first up is bring back love, a track that will sink its claws in with that infectious vocal sample hook. sticking with the old school sample vibe is the lonely heart dub of attempt, it’s a bit more mellow but still has plenty of groove in it. friend of the garage shelter, dj la foudre, appears over on the b side with it’s alright (signal st mix). still on that catchy sample tip, it features one of the grooviest bassline and funky guitar pairings i’ve heard in a long time. next up, perception 66 is a smooth house affair from yet another friend, asa no hikari. rounding out the package is garage shelter’s own you (still), a dreamy pad-driven track that may indeed be the pick of the release. while we don’t know much about garage shelter, we can’t help but look forward to what they come out with next!

the debut release from new label, music makes us, comes from prolific producer ekkohaus. a man who needs no introduction with previous releases on the likes of moonharbour, morris audio, circus company, 2020vision and liebe detail. he delivers a blistering 3 track acid tinged ep which kicks off with block parties (dark entry), a driving acid bassline with a great vocal layered on top. -show you saw- on the b-side is a grooving acid house track, whilst the wack finishes off this debut release in syncopated style.

one of the early big records in the uk that preceded the acid house mania that followed in 1988 and mr. lee s first in a string of releases on trax. adonis recalls bumping into mr. lee in the street: what s up with you, adonis? and i said, oh man, i got a record out. i m doin house music and makin money at it. the next time i saw him, he was sayin , hey man, i got a record out too! i can t forget features a more spoken word delivery in comparison to his later productions where he d retooled and become a rapper (of sorts).

this special release revisits classic brothers vibe tunes, edits and a never before released on vinyl track. kicking off proceedings is the 1989 gem i ain t gonna wait. an early brothers vibe piece and massive underground anthem! brothers vibe distinctive gritty style of groovy house takes us on a hypnotic journey into uncharted territory. melody and percussion interchange amongst a framework of zippy synths and sinuous kicks. released under the moniker silent rodgerz, the second track infractions saw the light of day back in 2008 solely in digital format on a mixxrecords compilation. low slung with an acid influence, the cut reveals a distinctly natural groove lead by the classic bassline. the final track is the definition of a house classic! featuring echoing words of the great maya angelou, words to a nation exudes a timeless quality, unveiling a masterpiece which stays firmly in your head

after a relatively quiet 2015 which saw brooklyns throne of blood release the third volume in the moon rock ambient series and a handful of singles from man power, jimi after, and vito & druzzi, things are already heating up for 2016.

bret winans (aka cb-r & cb radio) produces music out of a studio in brooklyn. using a variety of gear that has been amassed over the past decade, hes experimented with house, italo, techno and more. 2014 saw the release of cb-rs inside existence, an ep of dub techno and ambient textures that launched the s/p/a imprint. hes also appeared on the 100% silk 2015 label comp, sunset silk, as cb radio with the more italo leaning pacific ocean blues. with each release were opened up to another side of the producers world. available on full color jacket lp by new york based visual artist and musician jay goitia.

limited collectors edition of 300 copies only of this rare italian disco funk studio project from 1977 run by pino presti. today is very rare but the value of this reissue is that contains for the first time ever all the original versions plus the long version that never saw the light, because for some reason both 12 and the 7 inch original vinyl contains only the short cuts (called part 1 / part 2).

2015 saw producer extraordinaire obas nenor unleashing some of his strongest work to date. with acclaimed releases on moodymann’s mahogani music and on strictly rhythm, obas continues his organic mixture of live instrumentation laced with samples. tonight marks the first release on his own imprint, nenorion music, a chunk of versatile, layered dancefloor goodness that sets the bar high for future releases and stretches the limits of the ep format.
already support from mr.g, gerd, jimpster, jason hodges, tensnake, sleazy mcqueen, jacques renault, luke solomon, deep space orchestra, soul clap, duncan gray, horse meat disco, 6th borough project, nachtbraker…

as the dust settles on eduardo s most successful year to date – a year that saw him release his debut album >the intellinet prophecy< and drop science on labels such as badance, nonplus, mental groove and his own analogue solutions – the spanish super-producer propels into the new year with another broad, rich statement of musical intent: this time on marco faraone’s and norman methner s uncage. a label that doesnt just nurture unbridled, freeform creativity but insists upon it, uncage ignited late 2015 with marco s mesmerising >rotaryknobs< and remixes from both radio slave and markus suckut. each artist setting the bar high with their own unique take on techno, it s a tough release to follow. naturally, though, eduardo delivered a wonderful ep. and he’s done so with three beautiful original compositions ranging from cosmic techno to velvet jazz and subdued, poignant house. dig deep...

karim sahraoui has been producing gems for many years under various names such as djinxx, soul monkey and electronique resistance. after a break 2014 saw his return to the business under his real name and producing music that is closer to him than ever. releases included the future classic eternal life ep pt 1 on derrick mays transmat and appearances on labels such as cocoon. the a-side features the epic 10-minute original version of horns of glory on which karim takes his time to unfold the story of the track: a journey filled with beautiful melodies and rhythms that paint a lush landscape of sound. side b features the earth from above which again has a fairy-tale feeling to it. the b2 is vince watsons pumping and powerful remix of horns of glory which gives the track an energetic hypnotic quality and rounds off the package well.